By Miguel Beistegui
This publication specializes in a size of artwork which the philosophical culture (from Plato to Hegel or even Adorno) has continuously neglected, such used to be its dedication – specific or implicit – to mimesis and the metaphysics of fact it presupposes. De Beistegui refers to this size, which unfolds outdoor the distance that stretches among the practical and the supersensible – the gap of metaphysics itself – because the hypersensible and express how the operation of artwork to which it corresponds is healthier defined as metaphorical. The circulation of the e-book, then, is from the classical or metaphysical aesthetics of mimesis (Part One) to the aesthetics of the hypersensible and metaphor (Part Two). opposed to a lot of the historical past of aesthetics and the metaphysical discourse on paintings, he argues that the philosophical price of artwork doesn’t consist in its skill to bridge the distance among the practical and the supersensible, or the picture and the assumption, and demonstrate the practical as proto-conceptual, yet to open up a special experience of the practical. His objective, then, is to shift the place and role that philosophy attributes to artwork.
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Extra info for Aesthetics After Metaphysics: From Mimesis to Metaphor (Routledge Studies in Contemporary Philosophy)
Aesthetics After Metaphysics: From Mimesis to Metaphor (Routledge Studies in Contemporary Philosophy) by Miguel Beistegui